Harrison mixbus 32c full#
What if we aim for a full and warm analog sound without having a place or money for additional hardware or plugins? And basically, we should not argue with it, but what if our priority is not the transparency mentioned above? It has been assumed that he should not also color the signal. What if the color of our project is its value? #Harrison mixbus 32c analog full# If we are looking for a specific defined sound? If we are looking for an old analog workflow? A compromise between the possibilities offered by digital work environments and the old creativity, freedom and sound?Īscetic, climatic going back to the past when mixing was done with the light turned off. Instead of an infinite number of tables, paths and a lot of editing windows, we get a complete console that we can freely turn up and upsitedown.Īll the benefits of a real Harisson analog table recalled with one click of the mouse. Tempting? Isnt?Įvery aspect related to the production of sound (which I hope to prove in a moment) basically can be explained in a concrete way. In truth, it can not be denied that analog recordings can sound different than those recorded digitally, but this is not due to commercially abused intangible magic, only physical properties (and also limitations) of hardware units. The magic of large analog consoles in the colloquial sense is a mixture of opportunism, talent, technical thought and personal preferences of artists and musicians. This is the mariage of the right moment, available components, the possibilities and decisions taken. People gifted with remarkable imagination and very good hearing.Ī mathematical mind and a thoroughly humanistic soul. People who in these great constructions have noticed and still see the element of magic.Ī large format analog console is not the result of complicated experiments. It is not quantum physics, it does not require cosmic, scientifically developed technology. In its construction there are no unusual components, something inaccessible, escaping the schemes.
Harrison mixbus 32c manual#
There is an immeasurable passion, devotion, commitment, ingenuity, reliable manual execution, a deeply thought out logical scheme. Only that much and so much at the same time. Magic often began after the first completed mix. In contact with a man sitting at the heart of the control room.Īs I mentioned earlier, a classic DAW does not color the signal. But some people ascribe a huge difference to dither so yes, the sound of the mixers will be fundamentally different to a discriminating user.It does not make it colored, does not dress in any additional shape.ĭigital equipment also does not add anything. In practice, if the EQs are both set flat or bypassed, the difference should be vanishingly small: similar to the magnitude of dither. meaning the signal is always passing through the math, ( bypass simply means that the gain for the EQs is set to "0" ). In both products, the channelstrip EQ is "always in circuit". The sound of Mixbus and Mixbus32C are largely identical. This provides more grouping and effects buses, and allows you to manage a larger mix than the regular Mixbus. Mixbus32C provides 12 stereo mix-buses, with send-level knobs on every channel strip. In addition, each bus send can be "panned" separately from the master bus pan location.We expect this to meet the needs of users who are mixing 8-24 channels. Mixbus provides 8 stereo mix-buses, with send-levels on every channel strip.But feature-wise and sound-wise, it meets nearly any need for equalization you would rarely if ever need to add an additional EQ. The 32C EQ requires a larger monitor, to fit all the controls on-screen.
The Mixbus32C EQ is a recreation of our analog 32-Series EQ, which has 4 bands ( the top bands can be switched from shelving to peaking ), and both high- and low- pass filters.There are a few cases where you might need to add a plugin EQ, to solve a specific need. 90% of EQ jobs can be handled with a 3band sweepable eq, and a high-pass filter. The Mixbus EQ was specifically designed by Harrison to match our historical records of user's settings.
32C is the more expensive program, and it provides a bigger, more feature-ful mixer.
Rather than charge less for "limited" versions of Mixbus, we differentiate the price by the "mixer" features, which is what Harrison is known for.
Harrison mixbus 32c professional#
In both Mixbus and Mixbus32C, you receive a full-featured DAW with unlimited audio tracks, unlimited MIDI tracks, and unlimited plugins.īoth Mixbus and Mixbus32C provide professional features such as VCA's, video playback, "ripple" editing, timecode display, LTC/SMPTE sync, and other features that are rarely included in an entry-level program.
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